Support / Pre-order your copy of The Strumpet volume 3 featuring me!

If you do and you are able to attend the London launch party in November I'll sign your copy and give you a big thank you hug! If you come dressed as Edward Nygma I'll even give you a thank you kiss ;) ;)

Here is a sneaky preview of my featured short comic Pest!

Minx Reviews: Confessions of a Blabbermouth

Hi guys - sorry for the silence! I've been preparing for a milestone in my career: having my first ever short graphic story published! So in honour of that I present to you my next Minx Review, the graphic story Confessions of a Blabbermouth written by Mike Carey and his daughter Louise Carey and illustrated by Aaron Alexovich.

 

Confessions of a Blabbermouth is about teen blogger Tasha whose mother moves in her new boyfriend, Jed, and his boring daughter Chloe. Jed is a writer, something Chloe also aspires to be which severely puts Tasha's nose out of joint when Chloe applies for the same job as Tasha on the school paper. Tasha takes to her blog to air her grievances about Chloe, even if what she says isn't true, causing all sorts of mayhem however from the flames of animosity friendship might still bloom.

 

I think the thing that stands out most about Blabbermouth is Jed. He most definitely can be added to the Minx douchebag list. He starts the story a minor douchebag and finishes, not redeemed but as a super douchebag (only enhanced by Aaron's ability to make him look like a crazy man)! As someone who doesn't really get on with their mother's partner I find it strangely satisfying though I can also see how it might feel weird. We are forever being sold realistic stories where the step-parent is miss-portrayed as the villain and that it is actually the hero(ine)'s grudge where the problem lies (compared to fairy tales where the step-parent is always evil). It's kind of nice to know that sometimes the problem IS with the grownup and that the teenage protagonist isn't just being hysterical! Jed, however, is a bit of a super villain in a what is supposed to be a realistic story. He is a character designed purely to be disliked and I think if you cannot empathise with someone who doesn't get on with a step-parent you will find him too one dimensional. Jed being a nogoodnik whilst Tasha and Chloe cement a relationship does cause for a strange ending. It makes you wonder how their future will be able to continue when surely if Jed is removed Chloe will also have to make an exit.

 

The second most obvious thing is that ever present lesson: be careful what you say in the Internet! Back when I was Tasha's age I had a livejournal where I wrote every little thing that popped into my head. I shudder just to think about it now! But that's how the Internet was back then, you were in your personal little space not realising the whole of the world could read it if they so chose. Of course the Internet's a little different now, blogs are usually themed and feature informative articles such as this one (hehe), all grievances are saved for Facebook and instant messengers and though I steer away from both I'm pretty certain all it takes for an unwise word to go nuclear is for one not so friendly friend to re-share it.

 

Teenage girls are always going to gossip. It's a fact. And things will always be said as fact that are actually pure feeling and opinion. This is one of the book's best lessons for both Tasha and Chloe - learning to actually get to know a person before judging them - but to be fair that's one of the hardest lessons we all need to learn! In a sense Tasha is lucky that she unites with Chloe over a common cause. If that had not existed and Chloe had been completely innocent Tasha would have come across as a complete bitch. I most definitely don't recommend bitching about someone you see as a threat as a way of becoming best buddies!

 

The art is by kimmie66 artist and writer Aaron Alexovich and is much more realistic (for him) so as to suit the realistic setting. It definitely feels like a good access point for his art as the characters contain his trademark level of expression without appearing too stylised. Tasha is hyperactive, Chloe always seems to be carrying the weight of the world on her shoulders and Jed is terrifying! It's also very curious to see a British secondary school through the eyes of an American artist. I especially loved how he managed to express various students through how they wore their ties.

 

Unlike the other Minx titles Blabbermouth is the one most purely enjoyable by teenage girls only thanks to it being half-written by one such creature! If you have never experienced the highs and lows and emotional rushes of being a teenage girl you just won't get it. Characters over-react, the go into moods for no reason, do completely unreasoned things and see other characters either as purely good or purely bad...which is how it is as a teenage girl. It won't make for the best reading experience if you are looking for some classic Mike Carey but if you're a girl and you just want someone to empathise with then you could do much worse than read Confessions of a Blabbermouth.

You'll like Confessions of a Blabbermouth if you like:
Re-Gifters, Gossip Girl, Mean Girls, The Parent Trap, Step Brothers, trashy talk shows and a bit of cheeky gossip blogging.

You'll like Confessions of a Blabbermouth if you don't like:
Your step-dad.

Selected graphic novels also by Mike Carey:
Lucifer, The Sandman Presents: Petrefax and The Furies, various Hellblazer volumes, Batman: Gotham Knights #37: "Fear is the Key", Detective Comics #801-804: "The Barker: When You're Strange", My Faith in Frankie, Neil Gaiman's Neverwhere, various Crossing Midnight volumes, God Save the Queen, Faker #1-6, Re-Gifters, The Unwritten, Ultimate Elektra: Devil's Due #1-5, Spellbinders #1-6, various Fantastic Four volumes, various X-Men volumes, Ultimate Vision #1-5, Ender's Shadow, The Torch #1-8, Thor: Wolves of the North, Sigil #1-4, Red Sonja #0-6, Vampirella: Revelations, Wetworks: Worldstorm, Voodoo Child and The Stranded #1-5.

Novels also by Mike Carey:
The Devil You Know, Vicious Circle, Dead Men's Boots, Thicker Than Water, The Naming of the Beasts and The Steel Seraglio (co-written with Linda Carey and Louise Carey).

Also by Aaron Alexovich:Eldritch!, Serenity Rose and kimmie66.

My Top Jim Carrey Performances

Last week I went to see Kick-Ass 2, a little bit because I'd seen the first Kick-Ass but a whole lot more because one of my favourite actors ever, Jim Carrey, was in it. I've been thinking about the many roles he's portrayed over the years for a while now (since catching The Number 23 the other month) and it's roles like Fingerling in The Number 23 that reminded me how he's so much more than just a rubber-faced comedian. I would be amazingly honoured if he ever chose to portray any of my characters. So here is my list of my favourite Jim Carrey roles in chronological order:

Riddler / Edward Nygma - Batman Forever (1995)

I'll be the first to admit that Batman Forever has as many bad moments as it does good. It's horribly camp, completely deviates from any cannon and basically deserved better but once you accept these facts it becomes kind of fun too. Jim Carrey and Tommy Lee Jones steal the show as Riddler and Two-Face and I would love to see (in some magical alternative universe) them reprise their roles with a stronger script (hello Paul Dini I'm channelling you) and a more serious approach to the directing. Being a Riddler fangirl I love that Jim references my second favourite Riddler, the almighty Frank Gorshin, as an inspiration and love him even more for inspiring the vocal delivery of possibly the best Riddler that will ever exist, Wally Wingert's Arkham video game series Riddler.

 

Chip Douglas - The Cable Guy (1996)

 

 

The Cable Guy is classic rubber-face Jim Carrey but look beyond the ballsy, over-the-top 1990s comedy and the character of Chip Douglas is actually very tragic. In the middle of the film he sings Jefferson Airplane's 'Somebody to Love' and it couldn't be more relevant as he literally has never had anyone actually love him for himself. His parents were deadbeats so he was brought up by the TV and with no real concept of social interaction all his adult 'friends' are people he services cable TV for. Whenever he meets someone he considers friend potential he completely latches onto them and when they try to break away he systematically destroys all their other relationships. On the surface Chip may seem the stereotypical funny idiot character but he is also sadly sympathetic and actually quite terrifying, especially if you've been in a relationship with someone like him!

 



Truman Burbank - The Truman Show (1998)

The Truman Show is a glimpse at the more serious roles Jim Carrey would later take on and is genuinely not just an amazing film but a social commentary which is just as relevant today as it was back in 1998. It is about Truman Burbank who, from the day he was born, was a TV star in a TV show he believes to be reality. Slowly he realises things are not what they seem and he must come to terms with not only the fact that his whole life has been a lie but that there is a whole world out there just waiting for him. This is the kind of role Jim Carrey is perfect for. His ability to fill characters with humanity is amazing: Truman is endearing from the start - you want him to break free and find his freedom - and not only does Jim act with a subtler, gentler humour than in his previous films but with a complete understanding of the complex emotions Truman must be going through.

Joel Barish - Eternal Sunshine of the Spotless Mind (2004)

 

 

Jim gets all mumbly in this indie sci-fi romance about enduring love (or at least obsession). It is his most love/hate role depending on if you can bare the mumbling and if you mind your Jim Carrey coming with a side order of serious acting. Once again Jim applies a perfect assessment of the human condition into producing an endearing performance for a character who, despite all better judgement, you root for to win the girl despite knowing full well that she has and probably will again bring him as much pain as she does happiness. People often scoff at the idea of Jim Carrey being a serious actor but it's roles like Joel that show just how complex and talented he is as a performer and also how complex and empathetic he is as a person.

 

Fingerling - The Number 23 (2007)

 

 

Oooh look at me being all controversial! But in all honesty Fingerling is amazingly hot and edgy and troubled and perfect for good girls who lust after bad boys to fantasise about. Even though The Number 23 is a little uneven (and Jim's other character, Walter Sparrow, is less charming) the scenes featuring Jim Carrey as Fingerling are wonderful homages to film noir - I could quite easily watch a whole film shot in the style of the Fingerling sections featuring the exploits of Jim Carrey as the hard boiled, broody detective. Jim Carrey as the loveable good guy is so established in our psyche that Fingerling is the kind of role you have to experience to believe. No amount of 'I saw him do serious in Eternal Sunshine' will prepare you for his performance in The Number 23. It's like visiting that alternate universe I mentioned earlier. Even if you find you don't like the film I whole heartedly recommend giving The Number 23 a watch so as to see Jim's delivery for Fingerling as well as his amazing tattoo. Fabrizia is one lucky femme fatale!

Colonel Stars and Stripes - Kick-Ass 2 (2013)

 

 

Though since appearing in Kick-Ass 2 Jim's views on violence in movies has changed I don't think he should feel bad about his portrayal of probably the most endearing and kind-hearted character in the whole film. The mafia heavy turned born again Christian and superhero is an inspiration to all the other superheroes in Kick-Ass 2 including Kick-Ass himself. He doesn't believe in guns, he doesn't believe in swearing, he doesn't believe that a woman is asking to be raped just because she chooses to walk home at night alone and he has an amazing love for his job. In a film full of over the top violence he is a beacon of (yes I'm going to say it again) humanity and I think due to this his fate speaks volumes about the futility of violence as a means or an answer. If I got in a sticky spot I'd want Colonel Stars and Stripes saving me!

I hope you enjoyed my list, I hope one day one of my films will be on the list, and finally the big question...what is your favourite Jim Carrey role?

A to Z book survey

I saw The Perpetual Page-Turner's book survey on On The Shelf so decided to give it a go myself! I hope you guys join in too - being a writer I love to know the kind of books my followers read :-)

Also I have a Goodreads account - let's be friends there too!

Author you’ve read the most books from:

 

Haha this shows my age! R. L. Stine, who wrote amongst other things the Goosebumps series.

 

Best Sequel Ever:

 

Phantom by Susan Kay which is theoretically the sequel to The Phantom of the Opera by Gaston Leroux. I remember crying as I read the end.

Currently Reading:

 

Neverwhere by Neil Gaiman.

Drink of Choice While Reading:

 

Cranberry and raspberry juice. I live off it.

E-reader or Physical Book?

 

Physical! I like touching and smelling the pages :D

Fictional Character You Probably Would Have Actually Dated In High School:

 

Back in secondary school I was madly in love with Anne Rice's vampire Armand (and maybe even more so Marius). Out of teenage characters I imagine I would have been horribly in love with Rafael from Alisa Kwitney and Joëlle Jones' Token and Utena from Chiho Saito and Be-PaPas' Revolutionary Girl Utena series. These days it's obviously The Riddler XD

Glad You Gave This Book A Chance:

 

kimmie66 by Aaron Alexovich

Hidden Gem Book:

 

Café Nervosa: The Connoisseurs Cookbook by Julie Fisher - café style recipes and excerpts of Frasier scripts all in one book! Heaven!

Important Moment in your Reading Life:

 

Wanting to be all grown-up and read one of the old books in my mum's bookshelf only for it to be Lewis Carroll's Alice in Wonderland. It provided me with a role model and a whole new level of imagination to culture.

Just Finished:

 

Well the last book I 'finished' was The Soft Machine by William S. Burroughs however by 'finished' I mean got to the end of chapter two before deciding I really didn't enjoy a page of it and didn't want to inflict a single word more of it on myself.

Kinds of Books You Won’t Read:

 

I have an instant desire to run the other way from chick lit romance books however I appreciate that to some people (like my mum) they are great and if a book encourages a person to read who otherwise wouldn't then I'm more than happy for it to exist in the world! I also refuse to read anything which was once fanfiction and is now an 'original fiction' such as Fifty Shades of Grey and The Mortal Instruments series. I very much enjoy fanfiction but I think it is both a huge disservice to the original author and your readers if you take a fanfiction and change the names then call everything about it your own. If you are a good writer you should be able to come up with your own characters and scenarios with no problem.

Longest Book You’ve Read:

 

Ulysses by James Joyce.

Major book hangover because of:

 

Wet Moon by Ross Campbell - it feels like such a cool place to live - alternative heaven! Volume seven can't come soon enough (if it comes at all)!

Number of Bookcases You Own:

 

Four in my office and two downstairs.

One Book You Have Read Multiple Times:

 

Alice Through the Looking-Glass never gets old for me.

Preferred Place To Read:

 

In the bath. It has got to the point that I can only read Wet Moon books in the bath. Weirdly I can also only read Neverwhere in London...which is why it's taking me so long to finish it!

Quote that inspires you/gives you all the feels from a book you’ve read:

 

Grammar Nazi time...the correct word is quotation - easy way to remember it is "I quote a quotation" *hides* 

"We are great writers on the same dreadful typewriter" - Alan Ginsberg, Howl (part III) 

The moment I read that line it stuck with me. It spoke to me so much about that indestructible friendship that forms when you meet someone who has suffered as much as you have and has survived. Just being with someone who has survived makes you want to keep on surviving.

Reading Regret:

 

Can I say spending good money on The Soft Machine? Actually a bigger regret is that I buy books faster than I am able to read them.

Series You Started And Need To Finish(all books are out in series):

 

The Looking Glass Wars series by Frank Beddor. The Looking Glass Wars is by no means my favourite book however I feel I owe it to myself as such a big Alice fan to read the whole series and then maybe even the Hatter M graphic novels.

Three of your All-Time Favorite Books:

 

Oh no! Choices! Erm....Alice Through the Looking Glass by Lewis Carroll, Wet Moon by Ross Campbell and Emiko Superstar by Mariko Tamaki and Steve Rolston.

Unapologetic Fangirl For:

 

BATMAN!!!!!!!!!!!!!!!!!!!!!!! In particularl Paul Dini's various forays into Batman. He writes characters that are so often reduced to stereotypes (aka villains and females) with amazing depth and humanity. I absolutely applaud his numerous attempts at creating more female characters who actually are characters rather than arm candy for Bruce Wayne and eye candy for the male readers.

Very Excited For This Release More Than All The Others:

 

Oh gosh I don't know! I'm not very informed with new releases, I usually get tempted in by good reviews, pretty covers and recommendations.

Worst Bookish Habit:

 

I'm not sure how bad this is really but I'm a terribly slow reader. I can't skim read. I like every word to really sink so that the book becomes a memory rather than just a stack of paper. I guess also I get horribly freaked out when I lend someone a book and it comes back to me with the tiniest scuff or bend. It's my OCD.

X Marks The Spot: Start at the top left of your shelf and pick the 27th book:

 

I tell no lie - on the first bookshelf it was Impossible Spaces. On the other shelves in my study it is: Gulliver's Travels by Jonathan Swift, Walt Disney's Peter Pan and a 2002 Digimon Annual........

Your latest book purchase:

 

The Ocean at the End of the Lane by Neil Gaiman.

ZZZ-snatcher book (last book that kept you up WAY late):

 

Hehe probably browsing the erotica samples on the iBooks store.

Minx Review: Re-Gifters

This week's Minx Review is dedicated to my friend Len. I trawled the whole of London to find a copy of Re-Gifters for her and it got 'lost' in the post (being a parcel I had weighed at the post office that means someone stole it grrrr). I know a review isn't the same but perhaps we can live vicariously through it. Re-Gifters is written by Mike Carey and illustrated by Sonny Liew and Marc Hempel.

 

Re-Gifters is about Korean-American hapkido competitor Dixie. She blows her $200 entry fee for a big championship on a birthday present for fellow martial artist and crush Adam only to discover that not only is he disinterested in her present but also her! Completely off her game, Dixie must now fight the street rounds to get the chance to re-qualify for the championship where she takes on tough guy Dillinger. Re-Gifters is also the story of the warrior statue Dixie buys for Adam and its journey around LA.

 

Re-Gifters is the most accessible Minx comic if you're a guy: it features sport, tough guys, girls who act like tough guys and eye candy Megan. That is not to say it's not also entertaining for young women, in fact it is perfect for young women who are bored of the weak, bland, overly-girly lead characters that often appear in young adult media: Dixie and her very charming best friend Avril are tough-talking city girls who are more than capable of standing up for themselves (though the male characters do spend a lot of time talking down to them). Dixie is also trying to battle with her teenage hormones resulting in a volatile temper and a giant crush on Adam. When Avril makes Dixie over for Adam's birthday party Dixie is literally stripped from her armour revealing her more fragile side. This provides a nicely balanced heroine you instantly want to root for.

 

Adam is a douchebag. Not as much as a douchebag as Jake from Water Baby (Water Baby is probably the most adult of the Minx titles) but he gets pretty close. Not only does he not realise that Dixie is crushing on him (even when he makes her give him advice on how to get closer to Megan) but he gives the warrior statue to an equally unappreciative Megan without a second's thought and even plays mind games with Dixie when he thinks she might beat him in the hapkido championship. Apart from being blonde he really has very few redeeming features.

 

Though Dixie harbours feelings for Adam for the majority of the book  the last thing you want is for her to get together with him. Enter Dillinger. Dillinger is the rather unbelievable bad boy. He's a tough guy with morals (not always logical morals) who, when he's not beating up Megan's brother is helping Dixie get out of her Adam-induced funk and win the championship. He is much more likeable than Adam but does feel strangely motivated. He's there to prove that you shouldn't judge a book by its cover (aka just because he's a street kid it doesn't mean he's out to murder you) but his desire to pound on Megan's admittedly annoying brother (a device to get the statue to continue to circulate LA) somewhat sullies it and makes when he is being nice a bit cheesy. The men in Dixie's family are always spot on though, in particular her twin brothers who are lively little monkeys and very endearing.

 

The ending is pretty predictable however because you're rooting for Dixie from the very beginning and she gets the ending she deserves (rather than the one she thinks she wants at the beginning) it has that warm, cute, satisfying feeling.

 

Much like the subject of Re-Gifters the art feels very male centric - it doesn't have the smoothness and artiness you expect from a graphic story aimed at young women - if anything it looks perfect for a comic aimed at pre-teen boys. I appreciate that a young woman new to graphic stories might reject it for something more elegant however if she is already into graphic novels she'll appreciate its indie feel and obvious quality. It somehow manages to balance simplicity with detail and is wonderfully lively - which is perfect for a story about martial arts. Also a quick thumbs up to Jesse from Good as Lily for the shading. It might just look like a bit of grey but that bit of grey adds so much dimension to Sonny and Marc's lines.

 

Re-Gifters is about learning to expand your horizons and by attempting to blend boys comics with a female protagonist it mostly succeeds on both physical and thematic levels. It is also a story about not only people but things going on journeys...so if you see a copy of Re-Gifters floating about it's probably the one I sent to Len. Do a blogger a favour and gift it on to someone you care about and maybe, like Dixie's statue, it might also eventually find its way back to Len.

You'll like Re-Gifters if you like:
Confessions of a Blabbermouth, My Faith in Frankie, The Next Karate Kid, Bamboo Blade, Peach Girl and being a tomboy.

Selected graphic novels also by Mike Carey:
Lucifer, The Sandman Presents: Petrefax and The Furies, various Hellblazer volumes, Batman: Gotham Knights #37: "Fear is the Key", Detective Comics #801-804: "The Barker: When You're Strange", My Faith in Frankie, Neil Gaiman's Neverwhere, various Crossing Midnight volumes, God Save the Queen, Faker #1-6, Confessions of a Blabbermouth, The Unwritten, Ultimate Elektra: Devil's Due #1-5, Spellbinders #1-6, various Fantastic Four volumes, various X-Men volumes, Ultimate Vision #1-5, Ender's Shadow, The Torch #1-8, Thor: Wolves of the North, Sigil #1-4, Red Sonja #0-6, Vampirella: Revelations, Wetworks: Worldstorm, Voodoo Child and The Stranded #1-5.

Novels also by Mike Carey:
The Devil You Know, Vicious Circle, Dead Men's Boots, Thicker Than Water, The Naming of the Beasts and The Steel Seraglio (co-written with Linda Carey and Louise Carey).

Also by Sonny Liew:
Fighting Turtle, Malinky Robot: Collected Stories & Other Bits, Marvel's Sense and Sensibility, Au Pays des Merveilles, Le Tour du monde en bande dessinée vol 2, Marvel Adventures Spiderman #50, Wonderland, Liquid City (Vol.1, 2), Flight (Vol. 2, 5, 8) and My Faith in Frankie.

Also by Marc Hempel:
Sandman: "The Kindly Ones", Breathtaker, Mars, Blood of the Innocent, Gregory, Tug & Buster, Marvel Fanfare, Epic Illustrated, Heavy Metal, Jonny Quest, Tarzan the Warrior, Clive Barker’s Hellraiser, Flinch, My Faith in Frankie, The Dreaming, Lucifer, and Disney Adventures.

Undefeated - Drawing

This is the third and final part of my guide to creating your own short graphic story.

First let's do a checklist. Have you:

1. Planned your story?
2. Written your script?
3. Left your script?
4. Returned to your scripted and edited it?
5. Designed your characters?
6. Practiced drawing your characters until you're happy with easily recreating them?

Good. Then we can continue!

I drew Undefeated using a digital program (I'm an old school cheapskate so swear by Photoshop 7, DON'T use MS Paint) however wherever possible I'll also explain each step as if I was drawing the comic traditionally. I'll put the traditional bits in pink.

N.B. I'm not a professional artist. These are tips from personal experience. Anything that doesn't fit for you, don't do!

Step One

Make a rough sketch of what your page will look like on a separate piece of paper. If you are creating a short comic / graphic story with a limited page count like me you will have already done this in the planning stage. If your story has an open page count you probably won't have already sketched a plan. Sketching a plan is not so much about how each panel will look but the over all page layout - panel placement, text placement, etc - it is purely for you and as long as you understand your plan it is more than allowed to look completely rubbish and incoherent to everyone else!

Here is what my plan looked like (I drew all four page plans on one piece of A4 paper):

Step Two

Make your document size really big (nothing under 200 pixel resolution and 1500 pixel length / width). It's much easier to resize a picture down if it is too big than increase its size if it is too small. If you plan on getting your comic published publishers require digital copies to have big resolutions so as to not look pixelated when printed. Working big then sizing down later also makes it easier to draw finer details.

When drawing a page using traditional materials pick whatever size paper feels right for you or is specified by the publisher. Generally publishers don't like receiving work bigger than A3 (also it's really expensive to send something A3 or above in the post).

Step Three

Create a new layer and draw your panel lines. Never draw directly onto the background. Always create a new layer for each step / set of colours! Think of drawing with layers like drawing on tracing paper. Each digital layer is like a layer of tracing paper and whatever happens on one layer does not affect the others. By drawing on separate layers you do not ruin everything if you make a mistake. You can just erase the mistake on that single layer rather than everything above, below and around it.

When using traditional materials I'm afraid you don't have the safety net of layers however drawing lines is easy, just draw guide lines with a pencil before going over with ink.

At this point I also place my text boxes / speech bubbles (in separate layers) because I'm lazy and don't enjoy the idea of putting a load of effort into part of a panel only to cover it with text.

Once again you don't get the luxury of this choice when drawing traditionally. If you haven't placed your text by the time you start inking you're screwed!

Step Four

Make a new layer and sketch in the design for your final picture / pencil your design.

It should look something like this:

 

Step Five

 

In a new layer 'ink' your lines. By ink I mean go over your sketch lines with a smooth black line. This is what your final lines will look like so take lots of time with them to make sure they're right. You won't want to be redrawing things once you start colouring. I mean it's completely possible to redraw your lines once you start colouring (and even I do it when I realise I've made a terrible mistake) but it's really inconvenient and I'm all about making this process as simple as possible.

 

Though it takes lots of practice try to draw your lines in single strokes rather than feathering then trying to smooth with the eraser. If you find it hard to draw smooth lines when your document is zoomed to its actual size try drawing whilst zoomed into 200% - I find it produces much smoother lines.

 

You may feel more comfortable drawing the background lines on one layer and the foreground lines on another. That way if you make a mistake it is less likely to affect the rest of your lines.

 

Once you've completely inked your page you can delete your sketch layer / reduce it to 0% opacity.

 

When inking traditionally take lots of time and have lots of patience.  You get one shot at this and you don't want to mess it up. There are such things as Tipex / liquid paper but any sort of correctional fluid will always show up (which is why people usually use it to add highlights rather than to correct mistakes).

 

Let areas dry before moving on - the last thing you want is to smudge the ink with your hand - and when drawing with a ruler lift it onto its edge when lifting it from the paper, don't drag it across the paper as it may drag the ink with it.

 

Try not to erase your pencilling until you've completely inked your page. Also try not to press too hard with your rubber / eraser. Too much rubbing will also remove the ink.

 

Your inking should look something like this:

 

 

Step Six

 

Using a new layer for every colour (or texture style if working in black and white) apply your base colours. Because you are drawing on separate layers the fill tool won't work - you have to scribble like colouring in a colouring book page

 

You'll probably create lots of layers at this stage so it's a good idea to name them as you go.

 

Colour in / shade, once again taking your time. Work on each panel as though it is its own piece of art rather than trying to colour all the page in one go.

 

Your page should now look something like this:

 

 

Step Seven

 

Shade your work, once again creating a new layer for every colour. Not being a pro I don't want to tell you my way of shading like it is THE way of shading however here are some basic things that I do:

1. I always decide where my light source is before I start shading
2. I never use the burn tool
3. I make one layer where I use a slightly darker version of the base colour to draw shadows then make a second layer where I use an even darker version of the base colour with the gradient tool (fading to transparent) to create an overall sort of dark glow. (This will be clearer from the example image!)
4. I keep a sample of the colours I use to shade so that the colour palette is uniform for each panel / page. Once the gradient layer has been added it tints everything and you'll never be able to properly recreate your original colour choices.

Once you have shaded and added any highlights your finished page will look something like this:

 

 

General tips:

1. Every so often take a break. Mistakes happen when you overwork yourself and carpal tunnel syndrome happens when you keep your hand clenched for too long.
2. If you find you're not having a good drawing day don't force it. Go clean the toilet and come back and try again.
3. Don't draw drunk / high / with a fever. You may think it makes you cool or an 'artist' but unless you're an absolute genius your work will look rough and generally crap.
4. I draw wearing a fingerless glove so as to stop my fingernails from biting into my palm. It makes you look like a super villain too XD
5. When working digitally the colouring stage can get really boring so definitely feel free to listen to music as you work. If you get bored of music listen to something entertaining but bland such as a Murder She Wrote marathon or all of BBC iPlayer's backlog of Bargain Hunt. Don't listen to (watch) anything that requires you to actually pay 100% attention to it such as a film you've been dying to see for ages or You've Been Framed.
6. When working with traditional mediums you may also get bored but don't be tempted to put on the TV! That is the instant road to making an irreversible mistake. Listen to calming music and if you get bored of your music listen to a radio drama / audio book. I especially recommend Radio 4 Extra's horror, fantasy and sci-fi section. If you come from a country which no longer makes radio drama you can listen to Orson Welles' wonderful radio dramas (including that infamous War of the Worlds recording) here. You can also listen to a podcast but don't pick one that will excite you too much or that your are desperate to listen to as you're more likely to make a mistake again.
7. And the obvious one...don't leave drawing your comic to the last moment.

Well done. You have just completed a short graphic story and got one step closer to drawing that five volume Batman epic.

Four Pages You'll Never Get Back 2013

It's that time of year again: the 2013 Cape / Comica / Observer Short Graphic Story Prize. For the past six months I've been planning my entry and I spent the whole of last month bringing my plans to life.

Please click on the preview to read the resulting story, The Undefeated.

And seeing as I've now finished my short graphic story tomorrow I'll finish my series on how to create your own short graphic story, concluding with the drawing stage! See you tomorrow with your pens and paper!

Minx Review: Good As Lily

This week's graphic novel in my Minx Review series is Good As Lily written by Derek Kirk Kim and illustrated by Jesse Hamm.

 

Good As Lily is about Korean American high school student Grace Kwon. After getting her head stuck in a magic birthday piñata Grace is visited by three versions of herself (a child, aged 29 and an elderly lady) who seem intent in ruining her life...which couldn't come at a worse time as she is desperately trying to keep her drama club from folding and also win the heart of her high school drama teacher. Through all these events she realises that turning eighteen is not the end of the world but just the start of a new one.

 

I need to address the elephants in the room: the story has nearly nothing to do with Lily and the cover art is drawn by Derek Kirk Kim whilst the inside art is by Jesse Hamm. I feel the only time a graphic novel should have a cover by an artist who has had nothing to do with the inside art is when the book contains art by multiple artists or if it is a trade paperback where each section was published separately using the cover artist. I mean I hate it when people buy a book then complain about the weird art when it is obvious from the cover what they're getting but in this instance I think it's fair to feel cheated. Though Derek is also an artist and quite obviously wanted a hand in the art of the story too nothing suggests a lack of faith in the inside art than to choose a separate cover artist (the biggest offender being using Kouyu Shurei's amazing cover art for standard western manga Return to the Labyrinth).

 

You can see more of Derek's art of Good As Lily here.

 

It is evident from the amount of story packed into Good As Lily that Derek is full of good ideas. Good As Lily is a fantasy with a subtext of embracing life, a slice of life drama about friends fighting to save their high school drama club and even a romance but thanks to the restrictions of the single volume format it feels like too much is going on to be full explored satisfyingly. For instance the first 28 pages (nearly a 1/4 of the entire page count) are dedicated to getting to know Grace's friends. Endearing as this set up is only Jeremy and Rona deserve such a detailed introduction as the other friends barely return again. Perhaps if there was no fantasy aspect we would be able to focus on the drama friends more but once the fantasy part kicks in and Grace's friends retire to the background it makes such a long beginning feel redundant and slightly wasteful. The rest of the story races to deal with the lack of balance and never really catches up.

 

Then there is the titular Lily. Lily is Grace's dead sister. She is supposed to be this heavy weight that Grace compares herself to throughout the story but she is barely referenced and when we eventually do find out who she is Grace's feelings towards her are resolved in a matter of panels in the middle of the story. Because the book is called Good As Lily you are on the constant look out for her or at least expect to be drip-fed hints about who she was. Because this does not happen it feels like the most unsatisfying aspect of the story.

 

The story is written in a friendly, sometimes even comical tone and Grace has good conflicts with her other selves (yet another reason why her friends are not needed). In particular she has trouble with her 29 year old self who also has a crush on her drama teacher. This finds a satisfying conclusion as does Grace's evolving friendship with Jeremy however her eventual friendship with her bully does feel less believable.

 

Jesse Hamm's art is detailed and very indie. I particularly like Grace's look. I can imagine her as a drummer of an indie rock band! There's the odd weird panel (and few too many floating heads for my liking) but it's mostly of the good quality you would expect from a Minx artist. It does, however, have a slightly stinted feel. At first I thought maybe Jesse was a new artist still trying to perfect his style but as I looked over Derek's notes on Good As Lily I realised Jesse was trying to recreate Derek's style rather than embrace his own which is a shame as you can tell there is something not quite comfortable about it. I would like to see something in his own style to see if it feels more relaxed and natural.

 

Good As Lily is probably the weakest of the Minx books though it is still worth a try if you have enjoyed the rest of the series. Despite its faults it is a perfect gateway for exploring the art and writing of Derek and Jesse. Just surfing around Derek's blog makes me want to read and watch more by him. I hope to feature more by both Derek and Jesse in the future.

You'll like Good As Lily if you like:
Freaky Friday, 13 Going on 30, 17 Again, Glee (and The Glee Project), Western slice of life manga, 1990s kids shows set in and around high school, cheesy Asian drama.

Also by Jesse Hamm:
Negative Burn, Hawkeye Volume Two and Hawkeye: Little Hits

Graphic novels written by Derek Kirk Kim:
Same Difference,  Flight Volume One, Bizarro World and Electric Ant Issue 1

Graphic novels drawn by Derek Kirk Kim:
Fables: 1001 Nights of Snowfall, The Eternal Smile and Prime Baby

Online Media by Derek Kirk Kim:
Mythomania, Tune, Yesterday and Orange Tango

I Have No Mouth, and I Must Scream

I Have No Mouth, and I Must Scream is a post apocalyptic sci-fi short story by massively prolific writer Harlan Ellison about a supercomputer called AM and the last five humans left on Earth. Despite being so short it is considered a classic, winning the Hugo Award for Best Short Story in 1968 as well as being adapted into a computer game, short graphic story and a BBC radio play.

"What does AM mean?" 

Gorrister answered him. We had done this sequence a thousand times before, but it was Benny's favorite story. 

"At first it meant Allied Mastercomputer, and then it meant Adaptive Manipulator, and later on it developed sentience and linked itself up and they called it an Aggressive Menace, but by then it was too late, and finally it called itself AM, emerging intelligence, and what it meant was I am - cogito ergo sum - I think, therefore I am." 

I Have No Mouth, and I Must Scream is a bleak vision of the future and a warning about Man's constant desires to play God and wage war. Ellison wrote the story when the end of the Cold War seemed a distant fantasy so envisions in his story that the war never ends, just keeps developing and expanding to the point that computers are designed to fight with each other on a technological level that humans cannot understand. One day one of the supercomputers becomes sentient and connects with all the other computers that the humans have now peppered the Earth with. It exists to kill so kills all the humans bar five. With the Earth uninhabitable it takes the last five humans into the centre of the Earth with it and gives them immortality. A fantastic gift, no? No. It gives them immortality because it hates them and everything they represent. For 109 years it torments them physically and mentally with no hope of freedom and no hope of death.

As the story progresses and the humans struggle to cope with AM's tortures we learn why it hates humanity so: humanity created it, created it with all the intelligence and power imaginable but without a physical form to be able to express or use its intelligence and power. It is as trapped as the last five humans and will inflict upon them all the torment its existence has brought upon it.

At last the humans find a stash of tinned food in an ice cave but when AM appears to suffer a lapse in concentration things take a turn for the darker. Enraged, AM punishes the remaining character, preventing him from being able to do what the other four managed, providing the quotation after which the story is named.

You can read the short story here and listen to the radio adaptation (featuring the voices of Ellison as AM and Starsky and Hutch's David Soul as Ted) below:

In the 1995 PC game you play as each of the five humans, put into situations AM has devised to torture them. Their personalities are vastly expanded with complex backgrounds and flaws. It is up to you to not only help them survive their situation / personal hell but to help them become better people. It is a point and click game and just as depressing as the short story (if not more so). Think of it as akin to Silent Hill with the puzzle solving and bleak story but none of the fighting. Once again it features the voice of Ellison as AM and a terrifying job he does!

The five humans are:

Gorrister - a bar owner who is severely depressed / suicidal after believing it is his fault his wife was committed to a mental institution.

Ellen - a once promising engineer whose life fell apart twice. She finds intellectual interaction much easier than social interaction so when she suffered a miscarriage found it so hard to recover that her husband left her. When she finally began to enjoy life again a man posing as a maintenance man raped her in an elevator resulting in a phobia of the colour yellow. Apart from her phobia she is strong and feisty. She appears to be the only one who AM does not torture physically, deriving an almost sexual pleasure with abusing her mentally. AM also uses her lack of sexual interest in any of the other characters apart from Benny to torment them.

Benny - a physically proud military officer who killed his unit. In the original short story Benny is a gay scientist who AM turns heterosexual. In both versions he is the character who AM delights in physically damaging the most. One of the first changes AM made to Benny was to make him into an ape-man both mentally and physically, which is how he starts the story. 

Nimdok - an elderly ex-Nazi physician in denial of not only his own racial heritage but the hundreds of experiments he performed.

Ted - a con artist paranoid about being found out. Where once he would use his charm and looks to seduce rich single women he now only has eyes for Ellen, who despite all his best and heartfelt efforts does not love him back. He is offered the chance to escape AM if he lets Ellen be killed.

The game is very difficult to buy now however you can watch walkthroughs on YouTube.

I am a great soft jelly thing. Smoothly rounded, with no mouth, with pulsing white holes filled by fog where my eyes used to be. Rubbery appendages that were once my arms; bulks rounding down into legless humps of soft slippery matter. I leave a moist trail when I move. Blotches of diseased, evil gray come and go on my surface, as though light is being beamed from within. Outwardly: dumbly, I shamble about, a thing that could never have been known as human, a thing whose shape is so alien a travesty that humanity becomes more obscene for the vague resemblance. Inwardly: alone. Here. Living under the land, under the sea, in the belly of AM, whom we created because our time was badly spent and we must have known unconsciously that he could do it better. At least the four of them are safe at last. AM will be all the madder for that. It makes me a little happier. And yet...AM has won, simply...he has taken his revenge...

I have no mouth. And I must scream.

Minx Review: Token

As the cat dispute continues (she's refusing to give up coming here) I present to you the next graphic novel in my Minx Review series: Token written by Alisa Kwitney and illustrated by Joëlle Jones.

It's the summer of 1987 and daddy's girl Shira is spending another summer alone seeing as her social life was ruined by an unfortunate incident with a bar mitzvah cake. Life's okay though, she's best friends with eighty year olds Pearl and Minerva and has her dad all to herself...until he starts dating his secretary. Feeling that her dad is changing for the worse Shira lashes out by shoplifting a scarf only to be spotted by Latino hottie Rafael but instead of turning her in Rafael offers her shoplifting lessons and so begins their flirty and thrilling relationship.

 

First of all YAY. A mainstream western graphic novel written AND illustrated by women. So it IS possible! More please!

  

Read Token on a beach / in the garden / by a pool / anywhere sunny and warm. It won't be half as enjoyable in the middle of winter (unless you need some reminding of what summer is like of course)! I wouldn't say it's anything new, but then it's not trying to be - it's the story of a daddy's girl learning to share her father with another woman wrapped up in a summer romance - but thanks to likeable, well shaped, well drawn characters it doesn't need to do anything crazy and daring to be enjoyable.

Shira is perfect for Minx's target audience: she's pretty but also gawky, cool but not part of the cool crowd, intelligent, self-aware, melodramatic and very spunky. It's very rare in mainstream graphic novels and most other genre writing for a feisty female character to be so well rounded (and also likeable) and I have to say it's because she's written by a woman. Male writers like Paul Dini, Ross Campbell and Joss Whedon get amazingly close to understanding the female mind (and I love them for it) but then there are people like Steven Moffat who think they write females better than they actually do and those who just don't care as long as the female has big boobs to bounce about. Believe it or not nothing beats a woman for understanding a woman! Or the pains of being a teenage girl (trust me guys there's much more to it that PMS). Alisa understands it perfectly and writes it perfectly, getting just the right balance of fragility and feistiness. She also fills Token with settings and secondary characters that are completely up an intelligent, daydreamy teenage girl's street: the 1980s John Hughes beach setting; a wry, 1940s screen siren, Jewish grandmother best friend and a charming bad boy love interest.

Rafael is hot. Just saying. Joëlle's art is fantastic (more on that later) and she manages to make him practically smoulder. For the first time in all the Minx books I can actually see why the lead falls for the boy. I would. The scene where he catches Shira shoplifting is so loaded! Shira's feistiness combined with Rafael's smoothness leads to some great banter and top notch flirting. Be still my beating heart! Usually I want to vomit when I read / watch a romance but I actually wanted to read Shira's and Rafael's scenes most of all - I wanted to see how their relationship would end considering all the complications connected to it - and I wanted to see them get it on (a bit of vicarious living).

Despite the dream ingredients Token also has a very realistic feel and resolution which I think is to it's credit. Shira's father's secretary is not an evil stepmother stereotype - she's actually really nice - any animosity is purely from Shira and it is up to Shira to realise it. The ending is also not a happily ever after ending. As Batman would say, Shira doesn't get everything she wants but she gets what she needs and when Alisa has been so careful to craft a story and characters with so many layers and dimensions it's the only correct ending there could be.

Now what was I saying about Joëlle's art? IT'S EPIC! It is proper mainstream stuff with all the quality and detail you would expect and see in an issue of Batman or X-Men whilst maintaining a unique and personal style. The characters' expressions are just perfect, very much taking Alisa's writing and running with it. I could look at Joëlle's art all day. It makes me so happy that she is now working with the big comic publishers. I would most definitely love to work with her should I ever get so lucky!

What was that? You want some endearing, perfectly written, perfectly drawn summer romance? Then get yourself a copy of Token!

You'll like Token if you like:
John Hughes' 1980s films, Dirty Dancing, The Lost Boys, Mermaids, Grandma's House, The O.C. and Ocean Waves (I Can Hear the Sea)

Also by Alisa Kwitney:
Till The Fat Lady Sings, The Dominant Blonde, Does She or Doesn't She?, On the Couch, Sex as a Second Language: A Novel, Destiny: A Chronicle of Deaths Foretold, Vertigo Visions: The Phantom Stranger and Sandman: King of Dreams

Also by Joëlle Jones:
12 Reasons Why I Love Her, You Have Killed Me, Sexy Chix, Shojo Beat, Fables, Popgun, Portland Noir, Madman Atomic Comics #16, Dr. Horrible, Madame Xanadu, Troublemaker, House of Night, The Girl Who Owned a City, Spell Checkers and Ultimate Spider-Man #150

Minx Reviews: The Plain Janes and Janes in Love

So I was going to review a different Minx title this week but I was so distracted drawing my own graphic story (which I'll share with you at a later date) that I forgot to re-read it! D'oh! So to make up for it I'll review two other Minx graphic novels in one go: The Plain Janes and Janes in Love written by Cecil Castellucci and illustrated by Jim Rugg.

The Plain Janes is all about...uh...Jane, a popular girl who is caught in a terrorist explosion. Jane survives but afraid that next time she might not be so lucky her parents relocate from the city to the safe suburbs of Kent Waters. The explosion really gets Jane thinking and she realises she wants more in life than being popular. She redesigns herself and instead of sitting at the cool girl table on her first day of school she sits with the 'rejects', a group of girls (and one guy) who all happen to be called variations on the name Jane. Jane wants to channel her feelings from her bad experience into making the world a more beautiful place and together with the other Janes create art installations in the dead of night (think Banksy or Knit Bombing) however not everyone can see the art in P.L.A.I.N's (People Loving Art in Neighbourhoods) art and will do anything to stop them from defacing Kent Waters any further.

 

Janes in Love continues the activities of P.L.A.I.N with Jane realising the only way she can continue to make Kent Waters more beautiful is to make her art legal however whilst she's applying for an arts grant the other Janes are flaking out on her as the Leap Year Dance (their school's Valentine's Day ball) is coming!

 

The Janes books are some of the more positive books in the Minx series. You know that whatever the plot suggests things are going to turn out okay for Jane and her crew. This is great if you need a lift on a miserable day but not so good if you want some gritty realism. A more subtler positivity that the books contain is the concept of turning something ugly into something beautiful. Jane believes deeply in her cause - a project that will not only help her work through her trauma of the bombing but also change for the better the lives of everyone around her - and works at it doggedly no matter what fate throws at her. When you think of the more popular Young Adult heroines such as Bella Swan and Clary Fray such selflessness and dedication puts Jane head and shoulders above them as a positive young adult role model.

 

The other Janes are more stereotypical which is fine in the first book but a little lazy in the second. Each Jane is known as their thing eg Theatre Jane and Sporty Jane and that's pretty much as deep as they get. There is the odd twist to their stereotyping eg Sporty Jane though very unladylike is the first to bag herself a boy in Janes in Love but it's rare. Clever Jane's quirk is that her parents are two gay men which though unusual and refreshing isn't really about her, is it? Then there is James, the only gay in the village...er...I mean Buzz Aldrin High (best name for a school ever). We know he's gay because his face is drawn differently from all the other male characters and he only ever hangs out with girls. He is most definitely stereotyped by his sexuality which is sad as I know that wasn't the intention. I really wanted him to find some straight / gay male friends so that he could explore aspects of himself that he couldn't with a bunch of straight girls.

 

The most developed of the other Janes is Theatre Jane which is ironic as her speech patterns are the most unbelievable (she talks like a male Shakespearean actor). This development happens in Janes in Love where she goes to meet her crush (theatre actor Rhys) on the same day Jane goes to her arts grant pitch. Theatre Jane goes from being a stubborn drama queen to showing a gentler, more nervous and fragile side as well as displaying very endearing resilience.

 

Janes in Love definitely has the stronger narrative (The Plain Janes' overarching story is very basic - succeed at spreading art - leaving lots of space to explore Jane making friends, spreading art, understanding her feelings, getting an art crush on a guy in a coma and winning bad boy Grant) but the 'girls falling in love' part of it is much less original. Maybe it's because every slice of life Young Adult book aimed at female readers involves at least one obligatory romance or maybe it's because the other Janes don't really expand beyond their characters established in the first book that it feels unimaginative. I mean if you're going to do teen romance you really need to put a new spin on it. Theatre Jane's visit to Rhys does have that spin and there is a suggestion of a lesbian encounter but apart from that it's all pretty much paint by numbers stuff. Luckily art is not completely forgotten in the second book and Jane's attempt to continue P.L.A.I.N is enough to carry the book through (though you are never in any doubt about how the art grant will go). 

 

Apart from James not looking like anyone else in either of the books (this is particularly apparent in Janes in Love where his eyes are just dots) the art, as usual, is first class. Jim manages to combine bold lines with wispy shading. The characters (apart from James) have large eyes that really do act like the doors to their souls. I could honestly stare at main Jane's eyes all day. The characters and backgrounds, though not always 100% realistic have so much beauty an emotion to them. They feel like art which I suppose makes them perfect for books about the beauty of art.

You'll like The Plain Janes / Janes in Love if you like:
Rookie, Art School Confidential (and the art class scenes in the Ghost World movie), The Gilmore Girls, It's Kind of a Funny Story, The Perks of Being s Wallflower and knit bombing

Also by Jim Rugg:
Street Angel, Afrodisiac, One Model Nation, and The Guild.

Novels by Cecil Castellucci:
Boy Proof, The Queen of Cool, Beige, Rose Sees Red, Grandma's Gloves, First Day on Earth, The Year of Beasts and Odd Duck.

Cecil is also an indie rock musician releasing music as Nerdy Girl and Cecil Seaskull. Maybe I should do Friday Feature on her music. What do you think?